Nordicom Revies (Special Issue)

Deadline: September 15, 2025

Franziska Marquart (University of Copenhagen) and Xénia Farkas (DIGSUM, Umeå Univesity) invite scholars from the fields of media, communication, political science, and related disciplines to submit extended abstracts for a special issue of Nordicom Review. This issue will explore the evolving landscape of visual political communication in the Nordic countries, focusing on comparative aspects, content, and effects of visual politics in Denmark, Finland, Iceland, Norway, and Sweden.

Editors:

Franziska Marquart (University of Copenhagen)
Xénia Farkas (DIGSUM, Umeå University)

Contact:

Franziska Marquart: fm@hum.ku.dk
Xénia Farkas: xenia.farkas@umu.se

Important dates:

Deadline for extended abstracts: 15 September 2025
Invitation to submit full paper: 3 October 2025
Full paper submission: 9 February 2026
Peer review processing: Spring 2026
Expected publication (Open Access): Early 2027

Background and aim

Visuals have always been central to political communication, shaping how political actors convey messages and how audiences interpret political realities (e.g., Graber, 1988; Lanzetta et al., 1985; Masters et al., 1986). Research has long recognised the unique cognitive and emotional power of visual information, acknowledging that images are processed and remembered more efficiently than verbal communication (e.g., Graber, 1996) and can influence political attitudes and behaviours (Grabe & Bucy, 2009). Despite early recognition of its importance, visual political communication has only gained sustained scholarly attention in recent decades (Farkas, 2023; Schill, 2012).

In addition, the rise of digital media platforms has fundamentally transformed the visual dimension of political discourse (Lilleker, 2019; Marquart, 2023). Political narratives are increasingly constructed and contested through images, memes, videos, and data visualizations. These developments call for research that do not only consider the general content, strategies, and effects of visual political communication, but also account for their broader societal embeddedness and implications for trust, engagement, and democratic resilience.

In the Nordic context, where political systems are marked by high levels of institutional trust, transparency, and democratic participation, visual political communication takes on distinctive characteristics. While the region is often associated with social cohesion and stable governance, it is not immune to political polarisation, populist rhetoric, and digital disinformation. Recent years have seen intensifying debates on immigration, identity, and climate change – all heavily mediated through visual content. At the same time, the widespread use of social media has enabled new forms of political expression by citizens, activists, and alternative media actors.

This special issue invites contributions that explore how visual political communication unfolds across the Nordic countries in this evolving digital landscape, assessing the production, spread, and impact of visual content across a range of contexts – from electoral campaigns and protest movements to policy advocacy and state communication. We are particularly interested in how visual strategies interact with core democratic values in the region, such as openness, inclusivity, and (political and media) trust. We welcome empirical studies, theoretical contributions, and methodological innovations that engage with visual political communication from diverse perspectives. Comparative and longitudinal designs are especially encouraged, as they can illuminate both shared trends and country-specific dynamics shaped by cultural, regulatory, and technological factors.

Ultimately, the aim is to deepen our understanding of how visuals contribute to the transformation of political communication in the Nordic region and what this means for democracy in a digital age.

Submissions may address, but are not limited to, the following themes:

• Visual strategies in political campaigning: The use of imagery, video, and branding by parties, candidates, and campaign teams during elections and referenda
  
• Visual activism and protest culture: How activists, movements, and civil society actors use visual media to mobilise, resist, and advocate for change
  
• Memes, infographics, and short-form videos: Emerging visual formats on platforms such as TikTok, Instagram, and X, and their role in shaping political discourse
  
• Influencers as political communicators: Exploring how digital influencers shape political discourse through visual content, for example, through agenda-setting, issue advocacy, or political endorsements, particularly in addressing youth audiences
  
• Personalisation and performance: The visual representation of political leaders, including aesthetics of authenticity, relatability, trust, and authority
  
• Disinformation and visual manipulation: The role of images and videos in spreading misleading or false political content, including deepfakes and edited footage
  
• Algorithmic visibility: How platform logics and recommender systems shape the prominence and reach of political visuals
  
• Public service and institutional communication: Visual strategies employed by state institutions and public broadcasters to engage citizens and maintain trust
  
• Crisis communication: Studying the visual strategies employed during political conflicts, economic, environmental, or health crises, and their effectiveness in managing public perception and behaviour
  
• Ethics and accountability: Addressing ethical considerations in the creation and dissemination of political visuals, including issues of consent, manipulation, and the responsibilities of content creators
  

We welcome submissions employing a wide range of theoretical frameworks and methodological approaches, including (but not limited to) qualitative visual analysis, content analysis, computational methods, discourse analysis, and mixed-method designs. Interdisciplinary perspectives from political science, media and communication studies, sociology, visual culture, and digital humanities are particularly encouraged.

Procedure

Please send an extended abstract of no more than 750 words to both fm@hum.ku.dk and xenia.farkas@umu.se by 15 September 2025. The abstract should outline the main theme and approach of the intended paper and mention how it fits with the overall theme of the special issue.

Authors invited to submit a full manuscript (6,000–8,000 words, excl. references) will be notified by e-mail when all abstracts are assessed by the editors. Also, authors who are invited to submit a full paper will be invited to an online seminar where the rationale for the special issue and the steps that follow will be discussed in more detail. All submissions should be original works and must not be under consideration by other publishers.

After the initial submission and review process, manuscripts that are accepted for publication must adhere to our guidelines upon final manuscript delivery. You may choose to use our templates to assist you in correctly formatting your manuscript.

Read the full instructions for authors and download a manuscript template

References

Farkas, X. (2023). Visual political communication research: A literature review from 2012 to 2022. Journal of Visual Political Communication, 10(2), 95–126. https://doi.org/https://doi.org/10.1386/jvpc_00027_1
Grabe, M. E., & Bucy, E. P. (2009). Image bite politics: News and the visual framing of elections. Oxford University Press. https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780195372076.001.0001/acprof-9780195372076
Graber, D. A. (1988). Processing the news: How people tame the information tide (2nd ed). Longman.
Graber, D. A. (1996). Say it with pictures. The Annals of the American Academy of Political and Social Science, 546, 85–96. https://www.jstor.org/stable/1048172
Lanzetta, J. T., Sullivan, D. G., Masters, R. D., & McHugo, G. J. (1985). Emotional and cognitive responses to televised images of political leaders. In S. Kraus, & R. E. Perloff (Eds.), Mass media and political thought. Sage.
Lilleker, D. G. (2019). The power of visual political communication: Pictorial politics through the lens of communication psychology. In A. Veneti, D. Jackson, & D. G. Lilleker (Eds.), Visual political communication (pp. 37–51). Springer.
Marquart, F. (2023). Video killed the Instagram star: The future of political communication is audio-visual. Journal of Visual Political Communication, 10(1), 49–57. https://doi.org/10.1386/jvpc_00024_1
Masters, R., Sullivan, D., Lanzetta, J., Mchugo, G., & Englis, B. (1986). The facial displays of leaders: Toward an ethology of human politics. Journal of Social and Biological Systems, 9(4), 319–343. https://doi.org/10.1016/S0140-1750(86)90190-9
Schill, D. (2012). The visual image and the political image: A review of visual communication research in the field of political communication. Review of Communication, 12(2), 118–142. https://doi.org/10.1080/15358593.2011.653504

About the publisher

Nordicom is a centre for Nordic media research at the University of Gothenburg, supported by the Nordic Council of Ministers. Nordicom publishes all works under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (CC BY-NC-ND 4.0) licence, which allows for non-commercial, non-derivative types of reuse and sharing with proper attribution. All works are published Open Access and are available to read free of charge and without requirement for registration. There are no article processing charges (APC), and authors retain copyright.

Nordicom Review is an international peer reviewed journal devoted to new Nordic media and communication research. In 2023, Nordicom Review recorded a Journal Impact Factor of 2.0, a CiteScore of 2.8, and an H-Index of 23.

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Read the call for papers here:

https://www.nordicom.gu.se/en/latest/news/call-papers-visual-political-communication-nordic-region-strategies-narratives-and