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  • 10.04.2025 21:26 | Anonymous member (Administrator)

    Platforms & Society (special issue)

    Deadline: May 23, 2025

    Editors: Rianne Riemens, Donya Alinejad, Judith Keilbach, Anne Helmond (Utrecht University)

    Call: https://journals.sagepub.com/page/pns/callforpaper 

    Rationale:

    Digital technologies, including cloud services and artificial intelligence (AI), are often framed as indispensable allies in the fight against climate change. At the same time, these technologies have an enormous negative environmental impact through their high demands for energy, water, and their reliance on critical raw materials. In recent years, tech companies have increasingly positioned themselves as environmentally responsible actors, working towards decarbonizing their businesses. However, these same companies have reported rising emissions linked to their AI products, still depend on fossil fuels, and continuously expand their infrastructures. Meanwhile, as knowledge brokers, they fail to address climate disinformation circulating on their platforms. Nevertheless, sustainability scholarship has a demonstrated tendency to celebrate platforms as drivers of sustainable societal change (Kuntsman and Rattle 2019; Mouthaan et al., 2022).

    We invite contributions that critically engage with the complex and often contradictory relationship between platform companies, the climate crisis, and the pursuit of just, sustainable futures. We seek papers that explore the role of platform companies in the challenge of greening the digital society.

    This special issue asks: How does the role of platform companies—ranging from Big Tech firms to AI startups, chip manufacturers, and cloud infrastructure providers—in the climate crisis call for new perspectives on platform power and its environmental impact? How can we analyze the infrastructural, political, and cultural power of the “new conglomerates” (Srnicek, 2024), particularly in their roles as knowledge brokers or energy intermediaries? Can we speak of a “platformization” of the climate crisis (Helmond, 2015), and if so, what does that entail? And how do these changes occur in different geographical contexts or parts of the supply chain?

    We invite contributions from a diverse group of authors using a range of methods, working in different regional and institutional contexts, and focusing on a variety of case studies. Possible topics include:

      *   Methods and approaches for studying the environmental impact of digital platforms;

      *   Sustainability and waste across data infrastructures and the stack;

      *   Tech companies and CEOs as environmental actors;

      *   Theorizations of green platform capitalism and “green extractivism”;

      *   Digital platforms and the production, dissemination, and control of climate knowledge;

      *   The political economy of Big Tech and energy provision/distribution (wind, solar, geothermal, nuclear, fossil fuels) across different scales;

      *   Sustainability as a “hype” and platforms’ corporate greenwashing;

      *   Corporate environmentalism of Big Tech versus state politics (e.g. national public–private partnerships, friction in local contexts, lobby practices);

      *   Big Tech and climate justice movements (including local and Global South resistance);

      *   Visions and imaginaries of a green platform society.

    Deadlines: Interested authors are invited to submit abstracts (400-500 words excl. references) to r.riemens@uu.nl<mailto:r.riemens@uu.nl> until May 23rd. After acceptance, authors will be asked to discuss first full drafts of papers during a hybrid workshop in January 2026, with official submissions due in March 2026. We aim to publish the special issue in Platforms & Society in winter 2026/2027.

    You can find more information here:https://journals.sagepub.com/page/pns/callforpaper 

    We look forward to receiving your abstracts.

  • 10.04.2025 15:05 | Anonymous member (Administrator)

    University of Amsterdam

    We are hiring: For the project "Ideology, Emotion Detection AI, & the Propagation of Social Inequality" we are looking for a post-doc (application deadline April 15th). The project examines how AI emotion detection models may perpetuate political ideology by reinforcing gender and ethnic stereotypes. A key concern is that these models are trained on datasets labeled by human annotators, whose political ideology may shape how they categorize emotional expressions—often in ways that align with stereotypes. When AI systems learn from these biased labels, their outputs can further influence human decision-making, unintentionally reinforcing existing inequalities. To investigate these dynamics, the project will hire a post-doc for 12 months, starting this spring.

    See the vacancy: https://werkenbij.uva.nl/en/vacancies/postdoc-investigating-human-sources-of-bias-in-ai-face-classification-models-netherlands-13907

  • 10.04.2025 14:45 | Anonymous member (Administrator)

    Deadline (EXTENDED): May 6, 2025

    Editors: Dr. Emma Heywood, Dr. Richard Berry, Prof. Tanja Bosch and Prof. Kim Fox

    Publisher: Peter Lang

    Overview

    This edited volume seeks to explore the evolving landscape of global audio production and use, with a particular focus on moving beyond Western-centric narratives. The book will bring together contributions from academics, practitioners, and organizations to highlight diverse perspectives on the theory and practice of radio, podcasting, and other audio media. It aims to foster a dialogue between practice and theory, engaging voices from the Global North and South and showcasing underrepresented practices, technologies, and cultures.

    Call for Contributions

    We invite submissions from scholars, practitioners, and organizations to contribute original chapters that reflect on the production, use, and impact of audio media globally. Contributions may explore the intersections of practice and theory, offer case studies, or provide evidence-based insights into audio production in diverse contexts.

    Chapters may be theoretical (5,000–6,000 words) or shorter reflections by practitioners or organizations (1,000–3,000 words). Submissions from underrepresented regions, particularly the majority world, are highly encouraged.

    Themes and Topics

    We welcome proposals on (but not limited to) the following themes:

    1. The Universality of Listening:

    • How is audio experienced, produced, and consumed globally?
    • Cross-cutting themes including culture, technology, gender, language, and community.

    2. Global Perspectives on Production and Technology:

    • Audio production in resource-limited settings (e.g., solar-powered devices, limited internet access).
    • Innovations and adaptations in audio technologies across regions.
    • Ethical questions and applications of AI in audio production: Is AI a Western obsession or globally relevant?

    3. The Producer:

    • Diverse roles and practices of audio producers, from community radio broadcasters to DIY creators and AI-generated content.
    • Challenges and opportunities faced by local and community organizations.

    4. The Place:

    • The influence of geographic and cultural contexts on audio production and consumption.
    • Case studies from the Global South, conflict zones, and areas with limited connectivity.

    5. The User:

    • Audiences and their evolving engagement with audio content.
    • Radio as a tool for advocacy, education, and democracy—or propaganda and control.
    • Generational perspectives: Is youth radio dead, and if so, who killed it?

    6. The Purpose:

    • Exploring the role of audio across organizational types: public service broadcasters, commercial media, community radio, and alternative platforms.
    • State vs. public service broadcasting: tensions and challenges.

    7. Audio and Podcasts in Global Markets:

    • Podcasting as a cultural phenomenon and its industrial practices.
    • How audio formats are converging with other media.

    Submission Process

    Please submit an abstract of 300–500 words along with a brief bio (150 words) detailing your background and expertise. Abstracts should clearly state the chapter’s objectives, methodology, and contribution to the field.

    Deadlines

    ● Abstract Submission Deadline:  Tuesday 6th May 2025 

    ● Notification of Acceptance:  Friday 23rd May 2025

    ● Deadline for submission of first draft:  Monday 6th October 2025

    ● Full Chapter Submission Deadline:  Monday 8th January 2026

    Contact Information

    Please send your submissions and any inquiries to theglobalaudiobook@gmail.com.

    About the Editors

    The book is edited by Dr. Emma Heywood, a senior lecturer and researcher at the University of Sheffield with expertise in radio journalism in conflict and humanitarian settings; Dr. Richard Berry, a scholar specialising in radio and podcasting as audio media; Prof Tanja Bosch, National Research Foundation Chair in the Digital Humanities at the University of Cape Town; and Prof Kim Fox who is an award-winning professor of practice in the Department of Journalism and Mass Communication in the School of Global Affairs and Public Policy at The American University in Cairo. 

    We look forward to your contributions to this exciting exploration of global audio practices!

  • 04.04.2025 08:27 | Anonymous member (Administrator)

    International Journal of Games and Social Impact 

    Deadline: June 15, 2025

    Guest Editors:  Hugo Barata (Lusófona University, CICANT) & Rui Antunes (Lusófona University, CICANT) 

    This special issue of The International Journal of Games and Social Impact invites contributions that delve into the role of artistic practices in shaping game experiences and social narratives. In the same way, it aims to contribute to a multidisciplinary dialogue that examines the convergence of art in game design through its theoretical, practical, and methodological dimensions.

    Submissions may address (but are not limited to) the following questions:

    • In what ways can games be considered a legitimate form of artistic expression?
    • How can interdisciplinary approaches enhance our understanding of the relationship between Games and Art?
    • What potential exists for collaboration between artists and game designers to create innovative and socially impactful experiences?
    • What role do emerging technologies, such as virtual reality and artificial intelligence, play in shaping the future of games as an art form?
    • How have advancements in technology transformed the horizon of game design and artistic expression?
    • In what ways can games challenge stereotypes and promote inclusivity?
    • How do the mechanics of games contribute to their potential as a medium for cultural critique?
    • How have historical games been influenced by artistic practices?

    Publication Timeline

    Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere. Dates are indicative.

    Full Paper Submission Deadline: 15-06-2025

    Notification of Acceptance for Full Paper Submissions: 16-10-2025

    Publication Date: First semester of 2026

    For more information: https://revistas.ulusofona.pt/index.php/ijgsi/announcement/view/231.

  • 04.04.2025 08:19 | Anonymous member (Administrator)

    November 13-15, 2025

    Institute of Communication and Media Research, German Sport University, Cologne, Germany (conference will be held onsite with inclusion of 1 online panel)

    Deadline: June 23, 2025

    Conference of the ECREA Temporary Working Group Communication and Sport

    Sports media play a crucial role in shaping public discourse, influencing narratives, and determining the visibility of social issues within both the sports industry and wider society. From investigative sports journalism uncovering injustices to strategic communication efforts by athletes, teams, and brands, the role of media in shaping social impact requires critical exploration. Moreover, audiences actively engage with, interpret, and respond to these narratives, shaping the effectiveness and reach of various movements in sports media. Additionally, sports journalism can take on an interventionist role, with journalists advocating for social issues, giving voice to marginalized groups, and driving conversations on equity and justice. Activism within sports communication, whether led by athletes, media professionals, or fans, continues to be a significant factor in addressing societal challenges. Beyond journalism, various forms of engagement—including fan mobilization, community-driven initiatives, and participatory media practices—are shaping the broader landscape of social influence in sports communication.

    The Conference of the ECREA TWG “Communication and Sport”, hosted by the Institute of Communication and Media Research at the German Sport University in Cologne, on November 13-15, 2025 (Get Together, Nov 13; Academic Program Nov 14 and 15) invites scholars (not necessarily only from Europe) to submit abstracts that investigate the relationship between sports communication and its broader societal influence. It aims to foster interdisciplinary discussions that deepen our understanding of how journalism, digital platforms, strategic communication, audience reception, engagement, activism, and advocacy intersect with social impact in sports communication.

    The conference will feature one online panel that will allow participation of a select number of researchers who are unable to travel to Cologne.

    Submissions may address, but are not limited to, the following themes:

    • Sports Media:
      • The role of sports journalism in shaping social change
      • The interventionist and activist role of sports journalists
      • Media framing of social issues and activism in sports
      • Intersectionality and diversity in media portrayals of athletes and social issues
      • Regulation and censorship in sports media
    • Sports Actors:
      • The role of sociopolitical issues in athletes’ self-presentation
      • Strategic communication in socially responsible and activist sports initiatives
      • Corporate media and its stance to social activism in sports
      • Athletes’ employment of different media channels for activist purposes
      • Sports actors’ responses to online hate
      • Social media’s influence on activism and public engagement in sports
    • Sports Audiences:
      • Fan engagement, mobilization, and advocacy through media platforms
      • Audience expectations and perceptions of activism in sports communication
      • Community engagement and grassroots movements in sports media
      • Case studies of sports media’s impact on social discourse and activism 

    This list is not exclusive, and we call for papers which in a broad sense deal with different forms of engagement, including both theoretical and empirical perspectives on the potential social impact of sports communication

    We invite abstracts between 300-500 words (excluding references) submitted in English language by June 23, 2025 via email to the main organiser JProf. Dr. Daniel Nölleke (d.noelleke@dshs-koeln.de). The submission should be anonymized.

    The abstracts can be both for individual papers and panel proposals. Each panel proposal must include an abstract of the cover topic and the titles of 4-5 involved papers with the names of the authors. Each paper in the panel needs to be presented by people from different universities. Please indicate clearly whether the abstract is for an individual paper or a panel proposal. 

    The TWG (in collaboration with its YECREA representative) particularly invites early career researchers to submit abstracts for the conference. Please indicate on your submission if it is authored exclusively by (bachelor, master or Ph.D.) students. 

    To support the integration of as many scholars as possible, we will hold approx. 5 onsite panels and 1 online panel for the colleagues who have difficulties travelling to Cologne on the dates of the conference. Please indicate clearly whether the abstract is for onsite or online presentation. Authors will be notified about acceptance by July 25, 2025.

    To cover the expenses for room rental and on-site catering (coffee, cold drinks, finger food), a fee of max. 70 Euro (max. 40 Euro for Early Career Scholars) will be charged for on-site participation. Detailed information on fees, accommodation options and the social program will be sent with the acceptance notification in July.

  • 04.04.2025 07:54 | Anonymous member (Administrator)

    The Children, Youth & Media Section of ECREA invites proposals from its members to organize and host the 2025 Mid-Term Conference. We welcome institutions or research groups within the section to submit proposals to host this event. 

    Interested members should submit their proposals by May 2nd.

    Read more: https://cymecrea.wordpress.com/2025/03/17/call-for-organizers-host-the-mid-term-conference-for-ecreas-children-youth-media-section/

  • 03.04.2025 17:23 | Anonymous member (Administrator)

    In 2025, the ECREA sub-committee for Methods is organising a series of workshops on different methods, tools and designs for junior researchers and PhD candidates. The sessions will include: refining a research project, designing a suitable methodological approach, research tools, research ethics, analysing quantitative research data, analysing qualitative research data, and AI. The sessions will be held online and will generally last between 90-120 min, hosted by senior researchers and experts in the respective fields. 

    Workshop 3: Designing Research Tools

    May 23, 14:00 (CET) (1h 30mins)

    Lecturer: Dr Herminder Kaur, Senior Lecturer in Digital Sociology in the Department of Criminology and Sociology at Middlesex University, London

    Whether conducting quantitative or qualitative primary research, you will likely develop research tools such as surveys, interview guides, or materials that facilitate data generation. If using a mixed-methods approach, you may need to create a combination of these tools. In this session, you will engage in designing quantitative survey questions and explore software options for creating and distributing surveys online. Additionally, you will be introduced to different types of interview questions and learn how to structure them effectively to gather rich, in-depth data.

    If you would like to attend this workshop, please fill out the form HERE

    Workshop 4: Research ethics

    May 30, 14:00 (CET) (1h 30mins)

    Lecturer: Dr Herminder Kaur, Senior Lecturer in Digital Sociology in the Department of Criminology and Sociology at Middlesex University, London

    This workshop provides a comprehensive introduction to ethical considerations in research, ensuring participants understand the principles of conducting responsible and ethical studies. Key topics include informed consent, data protection, confidentiality, and avoiding bias. Participants will explore real-world ethical dilemmas and discuss strategies for addressing challenges in their own research. The session will also cover institutional ethical approval processes and the importance of maintaining integrity throughout the research journey. Through case studies and interactive discussions, attendees will develop a strong ethical foundation for their projects.

    If you would like to attend this workshop, please fill out the form HERE

  • 03.04.2025 17:11 | Anonymous member (Administrator)

    April 15, 2025

    Online

    The Audience and Reception Studies (ARS) section of the ECREA [European Association of Comunication and Education Research ] and YECREA [ Young Scholars Network of ECREA]; invites everyone to an insightful online discussion about the diverse experience of doing audience and reception studies in diverse contexts.

    Reserve a spot in this event for free to receive the link to access the event. You can also get in touch with the organisers mentioned below for more information :

    Nivedita Chatterjee (n.chatterjee@surrey.ac.uk )

    Paulo Cauraceiro (Paulo.couraceiro@obercom.pt)

    Register HERE.

  • 03.04.2025 09:39 | Anonymous member (Administrator)

    Soapbox 7.0

    Deadline: April 30, 2025

    To feel like we belong is one of our most common desires. Our bodily relation to home is not a simple one: it is marked by hostile power structures. These structures plunge the body into an interconnected web of demarcations, mediations, and hierarchisation, which determine one’s ability or failure to feel at home. Race, gender, ability, and class are factors that designate one’s sense of home. Labels further differentiate between bodies, some rendered political (“immigrant,” “refugee”), while others insidiously a-political (“expat”). How do we think with the body in ways that address its complicated relationship to home? What are the ways to engage with our bodily positionalities that may allow for a more equitable habitation?

    Thinking with aestheSis that privileges sensing over totalising reasoning of aestheTics, María Lugones sees the body through its permeability, which “allows us to reconceive about the world we live in.” Turning towards the sensorial relationality, we discover that the fixed, man-made, ‘rational’ lines that demarcate home and body as separate, contain leaks. Leaks that bring the body home. For its eighth issue, Soapbox: Journal for Cultural Analysis invites (young) researchers, (established) scholars, and creatives alike to submit works that consider practices, experiences, and methodologies that uncover punctures and cavities of structures, lines, boundaries, and borders. What seeps, spills, or flows through these holes? What exists in between home and body that informs who and where we are? What are the moments when the body and home are torn apart? And when do they collapse into one?

    Decolonial theory offers one perspective from which we can explore the leaks between homes and bodies. For non-Western subjects, when one has seen oneself as the Other through Western eyes, the decolonial journey begins to return to one’s bodies and homes. Quijano teaches us that the relationship between European and other cultures is one of “subject” and “object,” while Tlostanova, in her seminal paper “Can the Post-Soviet Think?,” reminds us that inventing theory “remains a privilege of the West.” Nevertheless, these man-made divisions only appear as stable and can be questioned through embodied relationality that allows “communities and social movements to defend their territories and worlds against the ravages of neoliberal globalization” (Escobar). Lugones calls for “a resistant permeable sensing” (Calderon). Vasquez speaks of worldhood and earth-hood, the possibility of being at home in and with others and with Earth that stands in opposition to the homelessness of modernity’s artifice. Taking a decolonial lens on Merleau-Ponty’s flesh and Barthes’s notion of punctum, Ortega argues that Latinx art carnally pierces with love that frees from dominant knowledges. Finally, Anzaldúa asks us to stay with the border and perceive it as a wound that offers hybridity.

    other possible access points:‍

    affective leaks

    Sarah Ahmed writes that “being-at-home suggests that the subject and space leak into each other”: home becomes a second skin that allows for a receptive touch. What does it mean to feel at home, and how does the body sense home? Rather than spatiotemporal, can home become an emotion?

    phenomenological leaks

    Merleau-Ponty’s phenomenological attention to the in-between of the body and the world that gives form to a chiasmatic flesh has long entertained cultural scholars, with Baker and Sobchak contributing to understanding cinema as tactile. How can the phenomenological attention to bodies and the world inform our understanding of home?

    architectural leaks

    Architecture architectures—or builds—a predetermined relationship between subject and structure. Dwellings provide shelter just as much as they violently enclose. Ingold advocates a dwelling perspective that argues it is the surroundings that shape the mind and not the opposite. Where does the body stop and the city start?

    posthuman leaks

    In Tuana’s concept of viscous porosity, it is the membrane that facilitates the interactions. In what way do the permeable borders mimic membranes when choosing who to accept and who to refuse? Re-thinking the neoliberal ideal, can a better future exist within the membrane?

    leaks and memory studies

    How do forms of violence pertain to what Ann Laura Stoler theorizes as ‘disabled’ and ‘dissociated’ histories? What does it mean to be-long in that what no-longer exists or never existed? How does nostalgia entail a violent form of be-longing that implicates the present? (Boym).

    leaks in everyday life

    Marxist sociologist-philosopher Henri Lefebvre tells us that “a revolution will come about when, and only when, people can no longer live their everyday lives.” A leakage, a failure of infrastructure, may precisely set such a process in motion. At what point—while cooking, walking the dog, showering, seeing friends—do we notice the droplets dripping from the ceiling, forming a deep puddle in the centre of the living room?

    the details:

    We are inviting extended proposals in MLA formatting and referencing style to be submitted to submissions@soapboxjournal.net by April 30th, 2025. Each proposal must include an abstract of 300-500 words and a brief outline of the content and its order (up to 200 words, can be in bullet points!). The outline is meant to indicate the intended structuring and weighing of the various elements of your text; we understand and expect that this will change again during drafting and editing. Submissions should be sent as a file attachment to the email, and the file's content should be anonymised.

    Guidelines for creative submissions are more flexible. They can be finished works, word-based or otherwise, but please keep in mind our spatial limitations: we publish and print in book format, and we have a limited number of pages to give to each submission. This year, we are also open to visual submissions (excluding moving image), provided they are accompanied by an artistic statement and an explanation of how the work connects to the theme. A sense of the formatting possibilities can be garnered from previous issues and our Instagram (open-access PDF versions are available on our website).

    We will try to send out conditional acceptance emails by May 23rd. Upon acceptance, the authors of the academic essays will be asked to submit a 4000-6000-word full draft by August 25th. The editing and publishing process will span the next academic year (September 2025 - February 2026).

    It would be very helpful if you could let us know in your email where you saw our CFP. If you have any questions regarding your submission, do not hesitate to contact us at submissions@soapboxjournal.net.

    works referenced

    Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. Aunt Lute Books, 1987.

    Escobar, Arturo. Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds. Duke University Press, 2018.

    Meda Calderon, Denise. “Decolonial Movidas: María Lugones’s Notion of Decolonial Aesthesis through Cosmologies.” The Pluralist, vol. 18, no. 1, 2023, pp. 22–31, https://doi.org/10.5406/19446489.18.1.03.

    Ortega, Mariana. Carnalities. Duke University Press, 2024.

    Quijano, Aníbal. “Coloniality and Modernity/Rationality.” Cultural Studies, vol. 21, no. 2-3, 2007, pp. 168–178, https://doi.org/10.1080/09502380601164353.

    Tlostanova, Madina. “Can the Post-Soviet Think? On Coloniality of Knowledge, External Imperial and Double Colonial Difference.” Intersections, vol. 1, no. 2, 2015, pp. 38-58, https://doi.org/10.17356/ieejsp.v1i2.38.

    Vazquez, Rolando. “Precedence, Earth and the Anthropocene: Decolonizing Design.” Design Philosophy Papers, vol. 15, no. 1, 2017, pp. 77-91, https://doi.org/10.1080/14487136.2017.1303130.

    further suggestions

    Ahmed, Sara. “Home and Away: Narratives of Migration and Estrangement.” International Journal of Cultural Studies, vol. 2, no. 3, 1999, pp. 329–347, https://doi.org/10.1177/136787799900200303.

    Alaimo, Stacy. Bodily Natures: Science, Environment, and the Material Self. Indiana University Press, 2010.

    Barker, Jennifer M. The Tactile Eye: Touch and the Cinematic Experience. University Of California Press, 2009.

    Boym, Svetlana. The Future of Nostalgia. Basic Books, 2001.

    Deleuze, Gilles and Tom Conley. The Fold: Leibniz and the Baroque. University Of Minnesota Press, 2012.

    Fisher, Mark. “What Is Hauntology?” Film Quarterly, vol. 66, no. 1,2012, pp. 16–24, 2012, https://doi.org/10.1525/fq.2012.66.1.16.

    Ingold, Tim. The Perception of the Environment. Routledge, 2000.

    Merleau-Ponty, Maurice. The Visible and the Invisible. Translated by Alphonso Lingis, edited by Claude Lefort, Northwestern University Press, 1968.

    Mogoș, Petrică and Laura Naum. “On Easternfuturism: Imagining Multiple Futures.” Kajet Journal, no. 05, 2022.

    Lefebvre, Henri. Everyday Life in the Modern World. Translated by Sacha Rabinovitch, Harper & Row, 1971.

    Parvulescu, Anca. “Eastern Europe as Method.” The Slavic and East European Journal, vol. 63, no. 4, 2019, pp. 470-481, https://doi.org/10.30851/634002.

    Rancière, Jacques. The Politics of Aesthetics. Edited by Gabriel Rockhill, Bloomsbury Academic, 2004.

    Rigney, Ann. “Remaking Memory and the Agency of the Aesthetic.” Memory Studies, vol. 14, no. 1, 2021, pp. 10–23, https://doi.org/10.1177/1750698020976456.

    Sobchack, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. University Of California Press, 2004.

    Stoler, A. L. “Colonial Aphasia: Race and Disabled Histories in France.” Public Culture, vol. 23, no. 1, 2011, pp. 121–156, https://doi.org/10.1215/08992363-2010-018.

    Toop, David. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. Serpent’s Tail, 2001.

    Tuana, Nancy. “Viscous Porosity: Witnessing Katrina.” Material Feminisms, edited by Susan Hekman and Stacy Alaimo, Indiana University Press, 2008.

  • 03.04.2025 09:34 | Anonymous member (Administrator)

    August 13-15, 2025

    University of Helsinki, Finland

    Deadline: April 10, 2025

    The 31st Nordic Network for Intercultural Communication Conference will be arranged in Helsinki on 13–15 August 2025. The NIC 2025 conference theme is "Evolutions in intercultural communication: New concepts and methodologies". With this theme, we wish to encourage discussion of conceptual and methodological development in the field of intercultural communication, drawing connections between research, teaching and practice. 

    In addition to those addressing the theme, we also welcome proposals that explore related aspects of intercultural communication. These are, for example, 

    • Critical evaluations of theories of intercultural communication, education, or management  
    • Migration and new or alternative forms of language, interaction, and communication 
    • Challenges of trans/poly/cross/intercultural encounters and relationships 
    • Decolonization and the knowledge on culture and communication 
    • Diversity, equity, inclusion, and justice in different spaces and settings 
    • New questions on education and learning in multicultural societies 

    Intercultural communication is an interest to and researched by scholars in a wide variety of fields and disciplines such as language, media and communication, multilingual and/or multicultural education, sociolinguistics, social interaction, international management, discourse studies, cultural studies, ethnic relations, and cross-cultural psychology. We welcome submissions from all.  

    Abstract submission

    Please submit your max 250-word abstract using the abstract form below. The abstracts will be anonymously peer reviewed. Note that all submissions should be in English and those submitting the abstract should be prepared to attend the conference in person. The deadline for submitting your abstract is April 10th, 2025. 

    SUBMIT YOUR ABSTRACT HERE

    If the abstract includes citations, please provide the appropriate references (the list of references is not included in the word count).  

    Welcome to Helsinki in August!

    For further details and up-to-date information, see the NIC Helsinki 2025 Conference website.

    Organizing committee: Saila Poutiainen (Chair), Mélanie Buchart, Yoonjoo Cho, Niina Hynninen, Janne Niinivaara 

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