ECREA WEEKLY digest ARTICLES

Digital Journalism (special issue)

Extended abstract submission deadline: July 1, 2025

In the rapidly evolving landscape of digital journalism, adaptation has become a crucial strategy for survival and growth. This special issue of Digital Journalism seeks to explore the multifaceted nature of adaptation within the field, examining how the relevant actors and institutions of digital journalism proactively and reactively adapt to technological advancements, shifting audience behaviors, and the changing socio-political environment.

As a construct that has emerged out of biology, anthropology, and health sciences, we know that adaptation is crucial human skill. Yet as Sarta et al. (2021) argue, “scholars have used the concept of adaptation inconsistently across research traditions without always being able to push the research agenda beyond analogical reasoning” (p. 44). While there might be a notion that adaptation is a passive process, one that happens to, for example, journalists or journalism organizations, this is only one portion of the concept. Research primarily defines adaptation as a response or reaction to a force in that an “instance of adaptation is viewed as a modification” that occurs “in reaction (or response, for that matter) to an external or environmental contravention” (Sachs & Meditz, 1979, p. 1084; Giddens, 1999). In this way, adaptation is opportunistic and describes how an individual or organization or institution can choose change and but still engage in a range of different forms of adaptation (Sachs & Meditz, 1979). Adaptation in digital journalism can take many forms, from the integration of emerging technologies and platforms to the reimagining of practices and ethics. And there are a range of actors engaged in the adaptation in digital journalism, who may not be formally affiliate with journalism, and who conduct work relevant to the overall adaptation of the field (as with technologists, peripheral actors).

In our field, adaptation has been primarily considered through the lens of technology, yet the actors of digital journalism actively adapt to a range of actions, actors and contexts: changes in the audience (e.g. rising audience hostility), physical environment (e.g. COVID protocols, violence), personal circumstances (e.g. precarity, life changes, employment disillusionment), political environment (e.g. democratic backsliding), market changes, and others. Adaptation means actors at times engage in “adoption” of new processes, seeking to normalize them as a part of working routines (Perreault & Ferrucci, 2020). As actors have engaged in platformization, this means at times that they have adapted through the stacking of platform-specific skills, using the skills gained in adapting to one platform to jumpstart their adaptation to others. But at times actors also engage in “selection” of other processes to denormalise when they no longer serve (e.g. many journalists are stepping away from social media; Bossio et al., 2024). Research produced within the “emotional turn” (e.g. Wahl-Jorgensen, 2020) and “audience turn” (e.g. Costera Meijer, 2020) shows that, to stay relevant to changing audiences and new political and cultural contexts, actors reconsider/select old and actively adopt new processes and skills. For example, journalists have engaged in adaptation through personalizing their reporting, using authenticity, empathy, and passion as strategic skills, building emotional and trauma literacy, and redefining long-dominating cornerstones of journalistic professionalism, such as objectivity and impartiality.

Digital journalism bears meaningful similarities in this regard to other fields: journalists can anticipate change even if they don’t know what that change will entail. But conversely, and unlike other fields, journalists are often not provided the resources to ease adaptation. For this reason, this special issue seeks to center adaptability as a crucial journalistic professional skill; it is perhaps more crucial in journalism than other fields given that journalists consistently find themselves negotiating new circumstances and environments as a native part of their work.

This special issue invites contributions that investigate these adaptive processes, particularly those that challenge traditional norms and propose innovative approaches to journalism in the digital age.

We are interested in a wide and overlapping range of digital journalism actors–journalists, technologists, businesspeople, fact checkers, fixers, peripheral actors, news organizations, platforms, policymakers, regulatory bodies–and topics, including but not limited to:

• Technological Adaptation: How are relevant actors and organizations incorporating emerging technologies such as AI, VR, and blockchain into their workflows? What are the implications of these technologies for media integrity and audience trust? How have actors adapted through platformization and datafication?
• Emotional Adaptation: How are the actors of digital journalism adapting emotionally to changes within the media ecosystem to which they can have little effect? What are the means by which actors engage in selection in order to engage in emotional management? How can actors cultivate and actively employ emotional literacy to adapt to changing media landscapes and audience behavior, increase their relevance for broader audiences, and secure their unique role and place within the attention economy?
• Adaptation to Audiences: How are the actors of digital journalism adapting to changes in audience behavior and preferences? What strategies are being employed to engage diverse and fragmented audiences? How can actors actively go to meet their audiences, including young audiences, where they are?
• Normative Adaptation: How are ethical standards in media being redefined in the digital era? What new ethical dilemmas are emerging, and how are the actors of digital journalism addressing them? How have norms adapted to digitization?
• Economic Adaptation: How are news and tech organizations adapting their business models to ensure sustainability in a digital-first world? What innovative revenue streams are being explored?
• Cultural and Political Adaptation: How are the actors of digital journalism navigating the complex cultural and political landscapes of the 21st century? How are they addressing issues of misinformation, polarization, and censorship?

Submission Instructions

Extended abstracts should include an abstract of 500 words (not including references) as well as a full list of author(s) with affiliation(s) and abbreviated bio(s). Please submit your proposal to Dr. Gregory Perreault (gperreault@usf.edu) as one file (PDF) with your names clearly stated on the first page.

Full manuscripts should target a length of 7,000-9,000 words.

Timeline:

• Extended abstract submission deadline: July 1, 2025
  
• Notification on acceptance of abstract: August 1, 2025
  
• Deadline for full manuscripts: October 31, 2025
  

No payment from the authors will be required.

For questions, please contact one of the Special Issue Editors:

Gregory Perreault, University of South Florida
gperreault@usf.edu

Patrick Ferrucci, University of Colorado-Boulder
Patrick.Ferrucci@Colorado.EDU

Johana Kotišová, University of Amsterdam
j.kotisova@uva.nl

Dariya Orlova, National University of Kyiv-Mohyla Academy
orlova@ukma.edu.ua

November 20, 2025

Polytechnic Institute of Lisbon (ESCS-IPL), Portugal

Deadline: June 20, 2025

Dear colleagues,

It is with great enthusiasm that we announce the I LIACOM International Conference, under the theme “The (Un)Sustainability of the Media”, which will be held on November 20, 2025, at the School of Communication and Media Studies – Polytechnic Institute of Lisbon (ESCS-IPL).

The event will feature the participation of French philosopher Gilles Lipovetsky as the keynote speaker, providing an in-depth reflection on the contemporary challenges of sustainability in the media ecosystem.

We also invite the academic and research community to submit communication proposals, in abstract form, until June 20, 2025, for the following parallel sessions:

1. Journalism: Sustainability in an ecosystem looking for solutions
   
2. Media Literacy and Communication: Challenges for Citizenship
   
3. Brands, Advertising, and Consumption in the Age of Media (Un)Sustainability
   
4. Mobilizing for Change: The Role of Public Communication Campaigns
   
5. Disruptions and continuities in communication professions
   

For more information about the conference and details on submitting proposals, please do not hesitate to contact us (conferencia.liacom@escs.ipl.pt), or visit the official conference website: https://liacom.escs.ipl.pt/en/conferencia-liacom/

We look forward to your participation and would like to thank you in advance for sharing this event with your networks and institutions.

April 9-10, 2026

University of Groningen, Netherlands

Deadline: August 22, 2025

Journalism has long been a field caught up in discussions of trends and changes. Technological changes, in particular, have been highlighted as well as changes in media structures, alongside changing political, economic, and social trends all playing out in changing societies. This has led - understandably - to a preoccupation within industry and scholarship with journalism's future, as it tries to navigate each new development to both stay afloat, economically, and stay relevant in the societies where journalism operates.

However, an overemphasis on novelty and change at the same time makes it “difficult to discern passing fads from deeper shifts” within journalism (Carlson and Lewis, 2019: 644). Behind each headline-grabbing development is a larger set of dynamics, from societal forces and public values to technological opportunities and business decisions. Highlighting and scrutinizing these dynamics provides a better understanding of the complex context that shapes the nature and pace of journalistic change and can elucidate structural impediments to, for instance, diversity, inclusion and representation, journalists’ wellbeing and mental health, and the ongoing contestations over journalism’s boundaries.

With this conference, we aim to weave together the threads beneath these trends, situating change in context with an eye towards journalism's future.

Scholars can opt for either thematic or open submissions:

1. Thematic submissions

The conference aims to bring together a diverse mix of scholars from the field of journalism studies. It invites papers that focus on key developments and trends in journalism and put these in a broader perspective. Both theoretical/conceptual and empirical contributions to journalism studies are welcome.

Submissions responding to the conference theme can address (but are not limited to) the following areas that are currently at the cutting edge of the field (cf. Westlund et al., 2025):
• Digital innovation, adaptation and changing journalism practices;
• journalism and algorithmic culture;
• datafication of audiences;
• journalism’s position in platform societies;
• hybrid storytelling forms;
• changing patterns of news use, news avoidance and non-use;
• spread of online mis- and disinformation;
• digital press and media criticism;
• epistemologies of digital news production;
• journalism, emotion and subjectivity;
• new business models for digital journalism;
• alternative media and peripheral journalistic actors;
• rise of anti-media populism;
• social media journalism;
• digital hate and online threats to the safety of journalists;
• novel methodological approaches to studying digital journalism.

Please emphasize in your abstract how you see your paper responding to the conference theme – "the threads behind the trends".

1. Open submissions
   While we encourage thematic submissions, we also hope to create an open forum for the latest research in journalism studies in its many facets. Contributors can also submit abstracts for open sessions, for which there are no thematic requirements. Again, both theoretical/conceptual and empirical contributions to journalism studies are welcome.

Submission guidelines

Abstracts should be no more than 500 words (excl. references, tables and graphs) and should be submitted no later than 22 August 2025 via this form.

The abstract must include an indication whether you submit to the conference theme or to the open panels. As we aim for a conference that provides extensive space for reflection, discussion and connection, we also ask you to indicate your preferred presentation format. This could include:
• A traditional research paper presentation in a thematically linked session
• A proposal for a pre-constituted panel
• Participation in a thematically-focused roundtable discussion
• High-density pitch sessions

Only one proposal per first author can be accepted (submitting further abstracts as co-author is accepted). Diversity in nationality, gender and country of affiliation can be prioritized in selection. Notifications of acceptance will be sent in early November 2025.

Submission will undergo scholarly peer-review and adhere to the newly established ECREA Journalism Studies section rule: For every abstract you are listed as an presenter/contributor, you are expected to review 2-3 abstracts (this applies to all authors on the paper).

The organizers will provide proof of conference attendance/presentation upon request.

PhD Colloquium

The day before the main conference, Dr. Sandra Banjac and Dr. Marilia Gehrke, together with the section’s YECREA representative Dr. Bissie Anderson, will organize the 6th ECREA Journalism Studies Section PhD Colloquium on 8 April 2026 at the University of Groningen. Further details about this event will soon be published on this webpage.

Conference Organization

The conference will be hosted by the Centre for Media and Journalism Studies of the University of Groningen in the Netherlands, organized by Dr. Joëlle Swart, Dr. Frank Harbers, Dr. Marilia Gehrke, Dr. Sandra Banjac and Dr. Scott Eldridge. The city of Groningen is two hours from Amsterdam and Schiphol Airport by train, and three hours from Bremen Airport by public transport.

If you have any questions, contact the conference organizing committee at journalismconferences@rug.nl.

Registration will open in November 2025. More information about the conference will be posted regularly on this webpage.

PLEASE NOTE: The conference will take place in-person only and we are unable to accommodate requests for virtual presentations.

Timeline

• Monday 12 May 2025 - submissions open
• Friday 22 August 2025 - deadline for abstract submissions
• Early November 2025 - acceptance notification and registration opens
• Before Christmas 2025 - first draft of the programme published
• Friday 27 February 2026 - deadline for delegate registration

Nordicom Revies (Special Issue)

Deadline: September 15, 2025

Franziska Marquart (University of Copenhagen) and Xénia Farkas (DIGSUM, Umeå Univesity) invite scholars from the fields of media, communication, political science, and related disciplines to submit extended abstracts for a special issue of Nordicom Review. This issue will explore the evolving landscape of visual political communication in the Nordic countries, focusing on comparative aspects, content, and effects of visual politics in Denmark, Finland, Iceland, Norway, and Sweden.

Editors:

Franziska Marquart (University of Copenhagen)
Xénia Farkas (DIGSUM, Umeå University)

Contact:

Franziska Marquart: fm@hum.ku.dk
Xénia Farkas: xenia.farkas@umu.se

Important dates:

Deadline for extended abstracts: 15 September 2025
Invitation to submit full paper: 3 October 2025
Full paper submission: 9 February 2026
Peer review processing: Spring 2026
Expected publication (Open Access): Early 2027

Background and aim

Visuals have always been central to political communication, shaping how political actors convey messages and how audiences interpret political realities (e.g., Graber, 1988; Lanzetta et al., 1985; Masters et al., 1986). Research has long recognised the unique cognitive and emotional power of visual information, acknowledging that images are processed and remembered more efficiently than verbal communication (e.g., Graber, 1996) and can influence political attitudes and behaviours (Grabe & Bucy, 2009). Despite early recognition of its importance, visual political communication has only gained sustained scholarly attention in recent decades (Farkas, 2023; Schill, 2012).

In addition, the rise of digital media platforms has fundamentally transformed the visual dimension of political discourse (Lilleker, 2019; Marquart, 2023). Political narratives are increasingly constructed and contested through images, memes, videos, and data visualizations. These developments call for research that do not only consider the general content, strategies, and effects of visual political communication, but also account for their broader societal embeddedness and implications for trust, engagement, and democratic resilience.

In the Nordic context, where political systems are marked by high levels of institutional trust, transparency, and democratic participation, visual political communication takes on distinctive characteristics. While the region is often associated with social cohesion and stable governance, it is not immune to political polarisation, populist rhetoric, and digital disinformation. Recent years have seen intensifying debates on immigration, identity, and climate change – all heavily mediated through visual content. At the same time, the widespread use of social media has enabled new forms of political expression by citizens, activists, and alternative media actors.

This special issue invites contributions that explore how visual political communication unfolds across the Nordic countries in this evolving digital landscape, assessing the production, spread, and impact of visual content across a range of contexts – from electoral campaigns and protest movements to policy advocacy and state communication. We are particularly interested in how visual strategies interact with core democratic values in the region, such as openness, inclusivity, and (political and media) trust. We welcome empirical studies, theoretical contributions, and methodological innovations that engage with visual political communication from diverse perspectives. Comparative and longitudinal designs are especially encouraged, as they can illuminate both shared trends and country-specific dynamics shaped by cultural, regulatory, and technological factors.

Ultimately, the aim is to deepen our understanding of how visuals contribute to the transformation of political communication in the Nordic region and what this means for democracy in a digital age.

Submissions may address, but are not limited to, the following themes:

• Visual strategies in political campaigning: The use of imagery, video, and branding by parties, candidates, and campaign teams during elections and referenda
  
• Visual activism and protest culture: How activists, movements, and civil society actors use visual media to mobilise, resist, and advocate for change
  
• Memes, infographics, and short-form videos: Emerging visual formats on platforms such as TikTok, Instagram, and X, and their role in shaping political discourse
  
• Influencers as political communicators: Exploring how digital influencers shape political discourse through visual content, for example, through agenda-setting, issue advocacy, or political endorsements, particularly in addressing youth audiences
  
• Personalisation and performance: The visual representation of political leaders, including aesthetics of authenticity, relatability, trust, and authority
  
• Disinformation and visual manipulation: The role of images and videos in spreading misleading or false political content, including deepfakes and edited footage
  
• Algorithmic visibility: How platform logics and recommender systems shape the prominence and reach of political visuals
  
• Public service and institutional communication: Visual strategies employed by state institutions and public broadcasters to engage citizens and maintain trust
  
• Crisis communication: Studying the visual strategies employed during political conflicts, economic, environmental, or health crises, and their effectiveness in managing public perception and behaviour
  
• Ethics and accountability: Addressing ethical considerations in the creation and dissemination of political visuals, including issues of consent, manipulation, and the responsibilities of content creators
  

We welcome submissions employing a wide range of theoretical frameworks and methodological approaches, including (but not limited to) qualitative visual analysis, content analysis, computational methods, discourse analysis, and mixed-method designs. Interdisciplinary perspectives from political science, media and communication studies, sociology, visual culture, and digital humanities are particularly encouraged.

Procedure

Please send an extended abstract of no more than 750 words to both fm@hum.ku.dk and xenia.farkas@umu.se by 15 September 2025. The abstract should outline the main theme and approach of the intended paper and mention how it fits with the overall theme of the special issue.

Authors invited to submit a full manuscript (6,000–8,000 words, excl. references) will be notified by e-mail when all abstracts are assessed by the editors. Also, authors who are invited to submit a full paper will be invited to an online seminar where the rationale for the special issue and the steps that follow will be discussed in more detail. All submissions should be original works and must not be under consideration by other publishers.

After the initial submission and review process, manuscripts that are accepted for publication must adhere to our guidelines upon final manuscript delivery. You may choose to use our templates to assist you in correctly formatting your manuscript.

Read the full instructions for authors and download a manuscript template

References

Farkas, X. (2023). Visual political communication research: A literature review from 2012 to 2022. Journal of Visual Political Communication, 10(2), 95–126. https://doi.org/https://doi.org/10.1386/jvpc_00027_1
Grabe, M. E., & Bucy, E. P. (2009). Image bite politics: News and the visual framing of elections. Oxford University Press. https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780195372076.001.0001/acprof-9780195372076
Graber, D. A. (1988). Processing the news: How people tame the information tide (2nd ed). Longman.
Graber, D. A. (1996). Say it with pictures. The Annals of the American Academy of Political and Social Science, 546, 85–96. https://www.jstor.org/stable/1048172
Lanzetta, J. T., Sullivan, D. G., Masters, R. D., & McHugo, G. J. (1985). Emotional and cognitive responses to televised images of political leaders. In S. Kraus, & R. E. Perloff (Eds.), Mass media and political thought. Sage.
Lilleker, D. G. (2019). The power of visual political communication: Pictorial politics through the lens of communication psychology. In A. Veneti, D. Jackson, & D. G. Lilleker (Eds.), Visual political communication (pp. 37–51). Springer.
Marquart, F. (2023). Video killed the Instagram star: The future of political communication is audio-visual. Journal of Visual Political Communication, 10(1), 49–57. https://doi.org/10.1386/jvpc_00024_1
Masters, R., Sullivan, D., Lanzetta, J., Mchugo, G., & Englis, B. (1986). The facial displays of leaders: Toward an ethology of human politics. Journal of Social and Biological Systems, 9(4), 319–343. https://doi.org/10.1016/S0140-1750(86)90190-9
Schill, D. (2012). The visual image and the political image: A review of visual communication research in the field of political communication. Review of Communication, 12(2), 118–142. https://doi.org/10.1080/15358593.2011.653504

About the publisher

Nordicom is a centre for Nordic media research at the University of Gothenburg, supported by the Nordic Council of Ministers. Nordicom publishes all works under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (CC BY-NC-ND 4.0) licence, which allows for non-commercial, non-derivative types of reuse and sharing with proper attribution. All works are published Open Access and are available to read free of charge and without requirement for registration. There are no article processing charges (APC), and authors retain copyright.

Nordicom Review is an international peer reviewed journal devoted to new Nordic media and communication research. In 2023, Nordicom Review recorded a Journal Impact Factor of 2.0, a CiteScore of 2.8, and an H-Index of 23.

Read more about Nordicom Review
Read our editorial policies
Visit Creative Commons to learn more about our CC licence

Read the call for papers here:

https://www.nordicom.gu.se/en/latest/news/call-papers-visual-political-communication-nordic-region-strategies-narratives-and

Journalism Studies (Special Issue)

Deadline: 15 November 2025

Through a series of empirical and theoretical investigations, this special issue aims to encourage and develop a robust discussion of and debate around mapping and related practices undertaken by journalism scholars to understand and analyze media ecosystems.

A global decline in the number of news services – especially at the local level – has raised alarm among journalists, academics, policymakers and community members alike (Weber and Matthews, 2024). In an attempt to make sense of – and document – this rapidly changing landscape, there is increasing emphasis on mapping techniques to visualize where news outlets exist (or not) within and across countries. Mapping and other visual techniques are increasingly being applied to measure and assess ongoing changes in the health of local media systems. These approaches are married with others such as textual analysis and topic modeling to better understand the nuances of what is being produced by journalists and where.

The pace of growth of research mapping and analyzing media landscapes is such that there have been few moments to pause and reflect on the state of research in this domain. As such, there has been little attention paid to the methodology of mapping in journalism studies. This risks a laissez-faire approach to the use of mapping in journalism scholarship, especially given mapping is broad and multi-disciplinary and afforded with rich and rigorous methodological histories and practices.

A typology of mapping suggests there are four ways in which journalism scholars are using mapping in their research: digital cartographic mapping, network mapping, spatial cognitive mapping and loose metaphoric references to mapping (McAdam and Hess, 2022). This special issue aims to explore the use of cartographic mapping to map geographic dimensions (see, for example: Negreira-Rey, Vazquez-Herrero and Lopez-Garcia, 2023; Lindgren, Corbett, & Hodson, 2020), network mapping to understand spatial connections and social cognitive mapping to explore concepts.

This special issue also aims to explore the theoretical and methodological frames - or, in other words, the ‘why’ - that guide the use of mapping as a method. Existent literature has explored broader related concepts such as theorizing about the spaces and places of journalism, notably, the ‘geographic turn’ that emphasizes the ‘places’ news is produced as well as the digital and physical spaces of journalism. Theoretically, this aligns with the ‘networked public sphere’ and extends into research on audience interaction and global connectivity. Reese (2016) argues the ‘new journalistic ecosystem’ presents fresh methodological challenges. This special issue provides a platform to discuss these methodological challenges, as well as any theoretical possibilities associated with the use of mapping.

Below is a non-exhaustive list of possible themes to address within the framework outlined above:
● Theoretical developments enabled through evolving methods:

○ Why is mapping being used in journalism studies?

○ What theories, concepts and/or methodologies can scholars draw on to guide or frame their use of mapping?

○ In what ways - if any - does mapping facilitate theoretical and methodological advancement of journalism studies more broadly?

○ Papers that connect mapping methods to specific theoretical discussions.

● The application of the method:

○ Ways mapping is used, for example digital cartography to map news deserts, network maps to map social media links, spatial/cognitive mapping and participatory mapping to understand audience spatial relationships.

○ Challenges associated with producing maps (such as the cost, time and skills involved) and how these may be overcome.

● The value of mapping

○ Benefits of visual communication to community, industry and policymakers

○ How scholars value mapping as a method for data collection/analysis.

○ Approaches for visual analysis and visual communication afforded by mapping.

Submission instructions
The format of the special issue is full research articles of max. 9000 words, inclusive of the abstract, tables, references, figure captions, endnotes. When submitting your manuscript please select the "mapping journalism" issue. The articles will appear online once accepted, and in an issue of Journalism Studies once all articles are completed.

Please email mapping.journalism@gmail.com with any questions.

More information:
https://think.taylorandfrancis.com/special_issues/mapping-news-as-a-critical-method-for-understanding-journalism/?_ga=2.67220049.1575866221.1747670144-995254403.1747670144

June 13, 2025 (09.00 to 17.30, BST)

Cardiff University, UK

 One-day in-person workshop 

REGISTRATION:  https://www.eventbrite.co.uk/e/picture-post-1938-57-genesis-history-legacy-of-a-photo-magazine-tickets-1365505476639?aff=oddtdtcreator 

LOCATION: School of Journalism, Media and Culture, Cardiff University, Two Central Square, Cardiff, CF10 1FS, UK

Dear friends & colleagues,

We are excited to announce that registration is now open for a one-day, in-person research workshop concerning the landmark British photo-magazine, Picture Post (1938-57). 

Picture Post was launched in the era of the Spanish Civil War and the Popular Front. Conceived for Hulton Press by Stefan Lorant (a Hungarian editor exiled from Nazi Germany), Picture Post had a transnational staff and a global outlook. It was the leading British example of an international phenomenon – the birth of photojournalism and the photo-essay. The equivalent of Life in the US and Paris-Match in France, the magazine achieved circulation figures of 1.7m.

To mark the opening of a major exhibition at Amgueddfa Cymru – National Museum Cardiff, we are hosting a research workshop bringing together an international cohort of researchers, curators, archivists and librarians to discuss the development and impact of Picture Post. 

The programme is included in the PDF attached. Registration is via the link above. Please note this is a free in-person event.

The workshop is co-hosted by the Tom Hopkinson Centre for Media History (School of Journalism, Media & Culture, Cardiff University) and Amgueddfa Cymru - Museum Wales. It is organised by Dr Tom Allbeson (Reader in Media & Photographic History, Cardiff University) and Dr Bronwen Colquhoun (Senior Curator of Photography, Amgueddfa Cymru - Museum Wales). And we look forward to welcoming you in Cardiff!

May 30, 2025

Online

Dear colleagues,

Registration is now open for the FREE Online Half-Day, Book Launch and Unconference, "Media Capture in the Global South: Power and Resistance,” Friday, 30 May 2025 (Online, 10:00-15:05 BST).

You can register for the event here: https://www.eventbrite.com/e/media-capture-in-the-global-south-power-and-resistance-tickets-1347887410529?aff=oddtdtcreator

Programme:

10:00-10:15
Welcome & Introduction

10:15–11:00
Book Launch: Media Capture in Africa & Latin America: Power and Resistance (2024, Cham: Palgrave Macmillan)
Chair: Beth Pearson & Hayes Mabweazara (University of Glasgow)

Seige and resistance: Media, journalism and democracy in Colombia
Catalina Montoya Londoño & Jorge Iván Bonilla Vélez (Liverpool Hope University, UK / EAFIT University, Medellín, Columbia)

New and old captured policies, resistances and diversity in media and internet in Argentina
María Soledad Segura, Alejandro Linares, & Ana Bizberge (Universidad Nacional de Cordoba, Argentina / Universidad Nacional de Formosa, Argentina / Universidad Nacional de Quilmes, Argentina)

The Nigerian press and its plutocratic relationship
Ufuoma Akpojivi & Olaniyan Akintola (University of Ghana / Centre for Social Media Research, Nigeria)

Resisting media capture: Mobilising for media freedom in Uganda
Carl-Magnus Höglund & Johan Karlsson Schaffer (Fojo Media Institute, Linnaeus University, Sweden / University of Gothenburg, Sweden)

11:00-11:10
BREAK

11:10–12:20
Unconference Panel 1: Power (Indonesia, Colombia, Mexico, The Gambia, South Africa)
Chair: Mo Hume (University of Glasgow and Glasgow Latin America Research Network)

How does media capture operate in contexts of peacebuilding? Evidence from Colombia’s 2012-2016 peace negotiations
Jose David Ortega Chávez (University of Winchester, UK)

Media capture in Indonesia as a transitional democracy
Ardhanareswari Handoko Putri (University of Glasgow, UK)

Media capture in Mexico at the intersections of sports, media, and business
Mireya Marquez-Ramirez (Universidad Iberoamericana Mexico City)

Media capture and its implications for Sustainable Development Goal attainment in The Gambia
Yaya B. Baldeh (Journalist / independent researcher)

State capture and media-state relations in South Africa: Groundwork for an African media-state model
Adrian Hadland & Bernadine Jones (University of Stirling, UK)

12:20-12:35
BREAK

12:35–13:45
Unconference Panel 2: Resistance (Guinea-Bissau, India/South Asia, South Africa, Burkina Faso, Lebanon)
Chair: Lluis de Nadal Alsina (University of Glasgow and Glasgow University Media Group)

Media capture in Guinea-Bissau: State fragility, external influences, and the roles of media development actors
Johanna Mack (Erich Brost Institute for International Journalism / Hochschule Bonn-Rhein-Sieg)

What role does transnational mediascape and diaspora play in countering media capture in the Global South?
Cheshta Arora (Western Norway Research Institute, Norway)

Media capture in marginalised communities: Insights from South Africa’s post-apartheid community media sector
Franz Krüger (NLA Høgskolen, Norway & Wits University, South Africa)

Understanding media capture and journalistic resistance in Burkina Faso in a context of autocratic legalism and informational autocracy
Emma Heywood (University of Sheffield, UK)

Examining alternative media and digital activism in Lebanon during the 2019 protests, as a form of resisting algorithmic media capture
Yara El Turk (Euro-Mediterranean University, Slovenia)

13:45-13:55
BREAK

13:55–14:55
Round Table: Media Capture in the Global South: From Research to International Policymaking and Action
Camille Grenier (Forum on Information and Democracy), Sacha Meuter (Foundation Hirondelle), Churchill Otieno (The Africa Editors Forum), Mel Bunce (City St George’s, University of London)
Chair: George Ogola (University of Nottingham, UK)

14:55–15:05
Closing

Organised by members of the Sociological & Cultural Studies and the Glasgow University Media Group at the University of Glasgow in partnership with the Glasgow Latin American Research Network.

June 3, 2025

Online/Cardiff University

The Tom Hopkinson Centre for Media History at Cardiff University is delighted to invite you to a free hybrid event showcasing new books and projects on media history, exploring a diverse range of media forms, including photography, digital technology, film, and journalism.

The presentations will be followed by a discussion on the current role and future directions of media history research.

The hybrid event will take place on Tuesday, June 3, 2025, from 16:00 to 17:30 (BST), both online via Teams and in person at the School of Journalism, Media and Culture (JOMEC), Cardiff University. 

All welcome!

Featured publications include:

• Conflicting images: Histories of war photography in the news, Stuart Allan and Tom Allbeson (Routledge, 2024)
  
• Picturing peace: photography, conflict transformation, and peacebuilding, Tom Allbeson, Pippa Oldfield, and Jolyon Mitchell (Bloomsbury, 2025)
  
• Incomplete: The feminist possibilities of the unfinished film, Alix Beeston and Stefan Solomon (University of California Press, 2023)
  
• Virtual holocaust memory, Matthew Boswell and Antony Rowland (Oxford University Press, 2023)
  
• Reporting skin and the wounded body in Victorian Britain, Diana Garrisi (Palgrave Macmillan, 2024)
  
• Film, feminism and rape culture in the Yorkshire Ripper years, Hannah Hamad (British Film Institute, forthcoming)
  

Please register via Eventbrite: https://www.eventbrite.com/e/multi-book-launch-at-the-tom-hopkinson-centre-for-media-history-tickets-1362166238889?aff=oddtdtcreator

For any queries email us at: jomecresearch@cardiff.ac.uk

ESRC / Trans-Atlantic Partnership Grant

This is an exciting opportunity for a researcher to play a central role in an international research project on journalism and democracy. The project is funded by an ESRC / Trans-Atlantic Partnership Grant, and it has research teams based in the UK, Brazil, Canada, and South Africa.

The successful candidate will be on “Team UK” working with Mel Bunce (City) and Richard Fletcher (RISJ, Oxford).  The project explores how independent journalism is defined and understood by citizens, journalists, policy makers and academics; how independent journalism is practiced; and the forms of solidarity and support that may protect its independence. 

We’re looking for great skills in data collection, analysis, and writing – and the ability to work independently to really push forward this project.

The job includes a lot of career development opportunities, including leading on publications and presenting at international conferences plus working with a team of supportive international scholars.

We can sponsor an international candidate (although they will need to demonstrate good understanding of UK journalism). They need to have finished their PhD - or at minimum submitted their thesis - by July 1st. 

Full details and to apply:

https://www.citystgeorges.ac.uk/about/jobs/apply/details.html?jobId=5351&jobTitle=Post-doctoral%20Research%20Fellow%20-%20Journalism%20and%20Democracy

November 19-21, 2025 

Tübingen University, Germany

Deadline: June 30, 2025

https://uni-tuebingen.de/en/278964

Joint conference of the DGPuK Divisions of „Media, Public Sphere, Gender“ and „Visual Communication“

From baby monitors to livestreams, from migrants crossing borders to digital navigation systems in our pockets; from Black Lives Matter demonstrations to COVID-19 tracking apps, and from Woman, Life, Freedom to influencers staging their journeys through social media – these examples demonstrate how people get and are set in motion with and through "their" media.

But who or what is actually mobile? How do people on the move become visible through mobile, networked media technologies, and who or what remains invisible? What role do gender and power relations play in this? How do mobilities and visualities shape each other? To what extent do different social categories and inequalities shape regimes of mobility and visibility from an intersectional perspective? In addition, the discussion of methodological challenges will be given space: How can mobile media use be analysed when both people and media are constantly moving? How can research methods be flexibilised to adequately capture the ephemerality of visual content and the processuality of media practices? This conference invites to engage with the topic of mobility from a media and communication studies perspective, both theoretically and methodologically.

Submission Deadline: 30. June 2025

Local organising team

Dr. Helena Atteneder, Prof. Dr. Martina Thiele, Julia Fischer

University of Tübingen, Institute of Media Studies

Contat: mobility@mewi.uni-tuebingen.de